These more mature compositions, though still led by teeming ideas, were subject to a deeper work on arrangement and development that was lacking on previous titles.
In "Le Cinquième" (The Fifth), an idea came to keep an improvised part as introduction, on a repetitive sequence played on keys by Didier. This allowed us to find in a title magic moments only occurring in rehearsals in which long free improvisations gave us the material of all our works.
Nevertheless, we began to feel the lack of a bass line, and Christian had already planned our first concert for April.
We had a long and hard time with trying to find a musician available to enter the exclusive universe we've created and our search, though persevering, remained sterile. Then, concerts began at three.
The Christian's dynamism rapidly allowed us to find an audience which welcomed our debuts, asking for recordings. Then, it was time to make an album.
As releasing a good quality demo tape seemed, at this time, very difficult, we decided to create our own production label, "Gialorgues Musique", inspired by the name of our beloved mountains.